{"id":4985,"date":"2025-10-27T20:08:24","date_gmt":"2025-10-27T20:08:24","guid":{"rendered":"https:\/\/magazinmr.ro\/?p=4985"},"modified":"2025-10-27T20:10:05","modified_gmt":"2025-10-27T20:10:05","slug":"premiera-semnata-de-radu-apostol-la-teatrul-excelsiordark-play-de-carlos-murillo-o-radiografie-a-adolescentei-in-era-digitala","status":"publish","type":"post","link":"https:\/\/magazinmr.ro\/index.php\/2025\/10\/27\/premiera-semnata-de-radu-apostol-la-teatrul-excelsiordark-play-de-carlos-murillo-o-radiografie-a-adolescentei-in-era-digitala\/","title":{"rendered":"Premier\u0103 semnat\u0103 de Radu Apostol la Teatrul EXCELSIORDark Play de Carlos Murillo &#8211; o radiografie a adolescen\u021bei \u00een era digital\u0103 \u00a0"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Teatrul EXCELSIOR, singurul teatru din Bucure\u0219ti dedicat adolescen\u021bilor \u0219i tinerilor adul\u021bi, anun\u021b\u0103 premiera pe \u021bar\u0103 a spectacolului <\/strong><strong><em><strong><em>Dark Play<\/em><\/strong><\/em><\/strong><strong>&nbsp;de Carlos Murillo, \u00een traducerea \u0219i adaptarea regizorului Radu Apostol.&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Primele reprezenta\u021bii vor avea loc vineri, 31 octombrie \u0219i s\u00e2mb\u0103t\u0103, 1 noiembrie 2025, de la ora 19:00, \u00een Sala \u201eIon Lucian\u201d a teatrului, marc\u00e2nd debutul unei mont\u0103ri care \u00ee\u0219i propune s\u0103 exploreze cu profunzime \u0219i curaj una dintre temele cele mai presante ale prezentului: identitatea tinerilor \u00eentr-o lume dominat\u0103 de mediul online.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em><strong><em>Dark Play<\/em><\/strong><\/em><\/strong>&nbsp;este, \u00eenainte de toate, o poveste despre Nick \u2013 un adolescent prins \u00eentr-o re\u021bea complex\u0103 de minciuni \u0219i jocuri de rol virtuale. Nick \u00ee\u0219i creeaz\u0103 mai multe identit\u0103\u021bi online, \u00ee\u0219i construie\u0219te realit\u0103\u021bi alternative \u0219i \u00eei atrage \u0219i pe al\u021bii \u00een aceast\u0103 spiral\u0103 a manipul\u0103rii, f\u0103r\u0103 a mai distinge \u00eentre ceea ce este real \u0219i ceea ce este inventat. \u00centr-o lume \u00een care grani\u021ba dintre real \u0219i virtual se estompeaz\u0103, iar anonimatul pare s\u0103 ofere protec\u021bie, Nick \u0219i cei din jurul s\u0103u sunt pu\u0219i fa\u021b\u0103 \u00een fa\u021b\u0103 cu consecin\u021be nea\u0219teptate, uneori dramatice.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Subiectul textului atinge direct teme majore pentru genera\u021biile tinere: alienarea, singur\u0103tatea, fragilitatea emo\u021bional\u0103, dar \u0219i nevoia acut\u0103 de apartenen\u021b\u0103 \u0219i de interac\u021biune uman\u0103. Spectacolul devine astfel un prilej de reflec\u021bie asupra modului \u00een care mediul online modeleaz\u0103 rela\u021biile interpersonale \u0219i redefine\u0219te conceptele de identitate \u0219i autenticitate.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Jocurile \u00eentunecate sunt acele jocuri \u00een care unii juc\u0103tori cunosc regulile, iar ceilal\u021bi nu. Cu alte cuvinte \u2013 unii dintre juc\u0103tori sunt pe deplin con\u0219tien\u021bi c\u0103 particip\u0103 la un joc, \u00een timp ce to\u021bi ceilal\u021bi sunt complet \u00een \u00eentuneric&#8230;&nbsp; A\u021bi jucat vreodat\u0103 un asemenea joc?<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em><strong><em>Dark Play<\/em><\/strong><\/em><\/strong>&nbsp;de Carlos Murillo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Relevan\u021ba piesei lui Carlos Murillo dep\u0103\u0219e\u0219te explorarea adolescen\u021bei ca etap\u0103 de via\u021b\u0103. Ea vorbe\u0219te despre noi to\u021bi \u2013 despre felul \u00een care tr\u0103im din ce \u00een ce mai mult \u00eentr-o realitate augmentat\u0103 de tehnologie, despre tenta\u021bia de a ne reinventa identitatea \u0219i despre riscul de a pierde contactul cu propriul adev\u0103r interior.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen acela\u0219i timp, spectacolul ridic\u0103 \u00eentreb\u0103ri despre responsabilitatea colectiv\u0103: ce \u00eenseamn\u0103 s\u0103 tr\u0103ie\u0219ti \u00eentr-o societate unde limitele dintre real \u0219i virtual dispar, unde fiecare gest online poate avea consecin\u021be profunde \u00een via\u021ba real\u0103?&nbsp;<em>Dark Play<\/em>&nbsp;nu ofer\u0103 r\u0103spunsuri facile, dar provoac\u0103 spectatorul s\u0103 caute propriile r\u0103spunsuri \u0219i s\u0103 con\u0219tientizeze dimensiunea etic\u0103 a interac\u021biunilor digitale.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Montarea aduce pe scen\u0103 o combina\u021bie de realism emo\u021bional \u0219i tehnici contemporane de teatru vizual, folosind elemente multimedia \u0219i un limbaj scenic care se adreseaz\u0103 direct spectatorului t\u00e2n\u0103r, dar care provoac\u0103 deopotriv\u0103 \u0219i publicul adult.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Distribu\u021bia este format\u0103 din actorii Teatrului Excelsior <strong>Matei Arvunescu,<\/strong>&nbsp;<strong>Alex C\u0103lin, Mihaela Trofimov, Ioana Niculae<\/strong>, iar <strong>echipa de crea\u021bie<\/strong>&nbsp;format\u0103 \u00een jurul regizorului Radu Apostol aduce \u00eempreun\u0103 nume importante ale scenei contemporane: <strong>Gabi Albu<\/strong>&nbsp;(scenografie), <strong>Drago\u0219 Silion<\/strong>&nbsp;(interactive media design), <strong>Florin Fieroiu<\/strong>&nbsp;(coregrafie), <strong>Cristian \u0218imon<\/strong>&nbsp;(lighting design), <strong>Sebastian Androne Nakanishi <\/strong>(muzic\u0103 \u0219i spa\u021bii sonore), <strong>Oana Pu\u0219catu<\/strong>&nbsp;(preg\u0103tire muzical\u0103), <strong>Mihaela Michailov<\/strong>&nbsp;(dramaturgie \u0219i consultan\u021b\u0103), <strong>Bogdan Sl\u0103vescu<\/strong>&nbsp;(director de imagine filmare live), <strong>Larisa Popa<\/strong>&nbsp;(asistent regie), \u00eentr-o experien\u021b\u0103 teatral\u0103 complex\u0103, care \u00eembin\u0103 expresivitatea corporal\u0103, muzica original\u0103, tehnologia digital\u0103 \u0219i profunzimea dramaturgic\u0103.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Radu Apostol<\/strong>&nbsp;este regizor de teatru \u0219i conferen\u021biar universitar doctor la UNATC \u201eI.L. Caragiale\u201d, unde coordoneaz\u0103 programele de licen\u021b\u0103 pentru studen\u021bii la specializarea Regie Teatru. Activitatea sa artistic\u0103 \u0219i pedagogic\u0103 se desf\u0103\u0219oar\u0103 \u00een paralel cu o implicare constant\u0103 \u00een proiecte educa\u021bionale \u0219i comunitare. Este co-director artistic al&nbsp;<strong>Centrului de Teatru Educa\u021bional Replika<\/strong>, un spa\u021biu independent \u0219i interdisciplinar, descris adesea ca o \u201ecapcan\u0103 artistic\u0103\u201d pentru problemele comunit\u0103\u021bii. Centrul promoveaz\u0103 dialogul \u00eentre arti\u0219ti profesioni\u0219ti \u0219i membri ai grupurilor vulnerabile \u0219i a fost distins cu&nbsp;Premiul British Council (2018)&nbsp;\u0219i&nbsp;Premiul AFCN (2016)&nbsp;pentru Incluziune Social\u0103 \u0219i Dialog Intercultural.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">De-a lungul carierei, Radu Apostol a fost recompensat cu&nbsp;Premiul UNITER pentru Debut \u0219i Premiul Opera Prima al Ministerului Culturii&nbsp;(2002), pentru regia spectacolului&nbsp;<em>Acas\u0103<\/em>&nbsp;\u2013 un proiect de teatru comunitar inovator, realizat \u00eempreun\u0103 cu zece copii ai str\u0103zii \u0219i doi actori profesioni\u0219ti. \u00cen 2002, a co-fondat platforma&nbsp;<strong>dramAcum<\/strong>, dedicat\u0103 promov\u0103rii dramaturgiei contemporane rom\u00e2ne\u0219ti, iar \u00een 2005 a beneficiat de o burs\u0103&nbsp;CEC ArtsLink<strong>,<\/strong>&nbsp;desf\u0103\u0219ur\u00e2nd o reziden\u021b\u0103 artistic\u0103 la The Cornerstone Theatre Company din Los Angeles (SUA).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Spectacolele sale exploreaz\u0103 constant leg\u0103tura dintre art\u0103 \u0219i societate \u0219i includ at\u00e2t proiecte de teatru comunitar, c\u00e2t \u0219i mont\u0103ri de teatru educa\u021bional sau piese contemporane rom\u00e2ne\u0219ti \u0219i interna\u021bionale. Prin aceste ini\u021biative, Radu Apostol \u0219i-a consolidat reputa\u021bia de regizor profund implicat \u00een realit\u0103\u021bile prezentului \u0219i preocupat s\u0103 aduc\u0103 pe scen\u0103 teme de interes public \u0219i experien\u021be autentice de via\u021b\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Teatrul Excelsior<\/strong>&nbsp;\u0219i-a asumat \u00een mod constant rolul de a aduce \u00een aten\u021bia publicului teme relevante pentru tineri, construind spectacole care \u00eembin\u0103 divertismentul de calitate cu reflec\u021bia critic\u0103 asupra lumii contemporane.&nbsp;<em>Dark Play <\/em>continu\u0103 aceast\u0103 direc\u021bie, oferind un spectacol puternic \u0219i tulbur\u0103tor, recomandat adolescen\u021bilor de peste 16 ani, dar \u0219i tuturor celor care \u00ee\u0219i doresc s\u0103 \u00een\u021beleag\u0103 mai bine universul interior al noii genera\u021bii.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/teatrul-excelsior.ro\/spectacol\/dark-play\"><strong><u><strong>Biletele<\/strong><\/u><\/strong><\/a><strong>&nbsp;sunt disponibile pe site-ul <\/strong><a href=\"https:\/\/teatrul-excelsior.ro\/\"><strong><u><strong>Teatrului Excelsior<\/strong><\/u><\/strong><\/a><strong>&nbsp;\u0219i la casieria teatrului. Pentru grupurile organizate de elevi, rezerv\u0103rile se pot face la adresa de e-mail <\/strong><a href=\"mailto:organizare@teatrul-excelsior.ro\"><strong><u><strong>organizare@teatrul-excelsior.ro<\/strong><\/u><\/strong><\/a><strong>.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Teatrul EXCELSIOR, singurul teatru din Bucure\u0219ti dedicat adolescen\u021bilor \u0219i tinerilor adul\u021bi, anun\u021b\u0103 premiera pe \u021bar\u0103&#8230;<\/p>\n","protected":false},"author":3,"featured_media":4986,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4985","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"gutentor_comment":1,"featured_image_urls":{"full":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2025\/10\/DARK-PLAY-Teatrul-EXCELSIOR.-foto-Matei-Bumbut-45.jpg",2048,1365,false],"thumbnail":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2025\/10\/DARK-PLAY-Teatrul-EXCELSIOR.-foto-Matei-Bumbut-45-500x280.jpg",500,280,true],"medium":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2025\/10\/DARK-PLAY-Teatrul-EXCELSIOR.-foto-Matei-Bumbut-45-660x365.jpg",660,365,true],"medium_large":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2025\/10\/DARK-PLAY-Teatrul-EXCELSIOR.-foto-Matei-Bumbut-45-768x512.jpg",640,427,true],"large":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2025\/10\/DARK-PLAY-Teatrul-EXCELSIOR.-foto-Matei-Bumbut-45-840x840.jpg",640,640,true],"1536x1536":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2025\/10\/DARK-PLAY-Teatrul-EXCELSIOR.-foto-Matei-Bumbut-45-1536x1024.jpg",1536,1024,true],"2048x2048":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2025\/10\/DARK-PLAY-Teatrul-EXCELSIOR.-foto-Matei-Bumbut-45.jpg",2048,1365,false],"covernews-slider-full":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2025\/10\/DARK-PLAY-Teatrul-EXCELSIOR.-foto-Matei-Bumbut-45-1115x715.jpg",1115,715,true],"covernews-slider-center":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2025\/10\/DARK-PLAY-Teatrul-EXCELSIOR.-foto-Matei-Bumbut-45-800x500.jpg",800,500,true],"covernews-featured":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2025\/10\/DARK-PLAY-Teatrul-EXCELSIOR.-foto-Matei-Bumbut-45-1024x683.jpg",1024,683,true],"covernews-medium":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2025\/10\/DARK-PLAY-Teatrul-EXCELSIOR.-foto-Matei-Bumbut-45-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2025\/10\/DARK-PLAY-Teatrul-EXCELSIOR.-foto-Matei-Bumbut-45-400x250.jpg",400,250,true]},"author_info":{"display_name":"Stejarel Ionescu","author_link":"https:\/\/magazinmr.ro\/index.php\/author\/stejarel-ionescu\/"},"category_info":"<a href=\"https:\/\/magazinmr.ro\/index.php\/category\/uncategorized\/\" rel=\"category tag\">Uncategorized<\/a>","tag_info":"Uncategorized","comment_count":"0","_links":{"self":[{"href":"https:\/\/magazinmr.ro\/index.php\/wp-json\/wp\/v2\/posts\/4985","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magazinmr.ro\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazinmr.ro\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazinmr.ro\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/magazinmr.ro\/index.php\/wp-json\/wp\/v2\/comments?post=4985"}],"version-history":[{"count":1,"href":"https:\/\/magazinmr.ro\/index.php\/wp-json\/wp\/v2\/posts\/4985\/revisions"}],"predecessor-version":[{"id":4987,"href":"https:\/\/magazinmr.ro\/index.php\/wp-json\/wp\/v2\/posts\/4985\/revisions\/4987"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazinmr.ro\/index.php\/wp-json\/wp\/v2\/media\/4986"}],"wp:attachment":[{"href":"https:\/\/magazinmr.ro\/index.php\/wp-json\/wp\/v2\/media?parent=4985"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazinmr.ro\/index.php\/wp-json\/wp\/v2\/categories?post=4985"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazinmr.ro\/index.php\/wp-json\/wp\/v2\/tags?post=4985"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}