Her Letters este un proiect multidisciplinar care reune\u0219te aspecte din cercetarea \u0219i activitatea artistic\u0103 a celor cinci ini\u021biatoare ale sale, artistele Anca Boeriu, Delia C\u0103linescu, Magdalena Pelmu\u0219, Ana Petrovici-Popescu \u0219i Silvia Tr\u0103istaru.<\/p>\n\n\n\n
Lu\u00e2nd drept reper \u0219i pretext practica social\u0103 a scrisorii, proiectul re\u021bine din semantica \u0219i influen\u021ba larg\u0103 \u0219i eterogen\u0103 a acesteia asupra culturilor, obi\u0219nuin\u021belor, valorilor \u0219i convingerilor sociale elementul personal, dimensiunea autoreferen\u021bialit\u0103\u021bii \u0219i a autenticului, linia de for\u021b\u0103 a identit\u0103\u021bii \u0219i raporturile dintre descifrare \u0219i inteligibilitate, sens \u0219i comunicare, interior \u0219i exterior, public \u0219i privat, intimitate \u0219i autoexprimare, confesiune \u0219i chestionare, solitudine \u0219i comunitate.<\/p>\n\n\n\n
Fiind un demers \u00een progres, Her Letters<\/em> prezint\u0103 odat\u0103 cu secven\u021ba de expunere de la Timi\u0219oara un num\u0103r de lucr\u0103ri care traverseaz\u0103 o gam\u0103 mai larg\u0103 de genuri, cadraje \u0219i formate, de la desen grafic la video performance \u0219i instala\u021bie. Forma grafic\u0103, litera \u0219i scrierea, textualitatea \u0219i materialul, interven\u021bia m\u00e2inii \u0219i dimensiunea de embodiment, masca \u0219i ascunderea sau revelarea de sine, introspec\u021bia \u0219i proiec\u021bia \u00een exterior, natura subiacent documentar\u0103 \u0219i \u00eenc\u0103rc\u0103tura sau dorin\u021ba exorciz\u0103rii, precum \u0219i problematica memoriei \u0219i a autoarhiv\u0103rii (prin fic\u021biune conceptual\u0103 sau artefact manual) sunt doar c\u00e2teva din ariile de sens la care lucr\u0103rile artistelor reunite fac trimitere. Le apropie de metafora scrisorii faptul c\u0103 lucr\u0103rile au o dimensiune arhaizant\u0103 \u0219i primar\u0103 (desenul, cu\u021bitul, casa, metalul, masca), dup\u0103 cum \u00een mod similar formele \u0219i protocoalele scrisorilor de-a lungul istoriei p\u0103streaz\u0103 iremediabil ingrediente de ancestralitate \u0219i primitivism care le sunt definitorii (scrisoarea – printre primele forme de comunicare scris\u0103). Ad\u0103ugat\u0103 acestora, componenta de gen a proiectului indic\u0103, de o manier\u0103 \u00een acela\u0219i timp grav\u0103 \u0219i autoironic\u0103, subtextul feminiza(n)t al \u00eentregului demers \u0219i implica\u021biile lui critice \u0219i chiar polemice.<\/p>\n\n\n\n V\u0103 invit\u0103m s\u0103 descoperi\u021bi expozi\u021bia Her Letters,<\/em> s\u00e2mb\u0103t\u0103, 7 octombrie \u0219i duminic\u0103, 8 octombrie 2023, \u00een intervalul orar 16.00 – 20.00 la DIGITAL:CANVAS\\ \u0219i Lapsus (Spl. Pene\u0219 Curcanul nr. 4-5, et 1, cu intrarea prin cl\u0103direa Azur).<\/p>\n\n\n\n Her Letters este un proiect autofinan\u021bat \u0219i promovat de Centrul de Proiecte Timi\u0219oara, prin evenimentul Timi\u0219oara 2023 Celebrarea ora\u0219ului.<\/p>\n\n\n\n Identitate grafic\u0103: Delia Zoi\u021ba C\u0103linescu<\/p>\n\n\n\n Organizatori: artouching \u0219i DIGITAL:CANVAS\\<\/p>\n\n\n\n Parteneri: Lapsus \u0219i Centrul de Proiecte Timi\u0219oara<\/p>\n\n\n\n Parteneri media: Amos News, CRDA Pro Comunitate, Daily Magazine, digitizArte, Empower Artists, Feeder, Happ, IQads, Modernism.ro, Propagarta, Revista Golan, SMARK, Zi de zi, Zile \u0219i Nop\u021bi, Radio Rom\u00e2nia Timi\u0219oara<\/p>\n\n\n\n Link eveniment: https:\/\/fb.me\/e\/1g5xgDVCy<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" Her Letters este un proiect multidisciplinar care reune\u0219te aspecte din cercetarea \u0219i activitatea artistic\u0103 a…<\/p>\n","protected":false},"author":3,"featured_media":1983,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,4],"tags":[],"class_list":["post-1982","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-newsbeat","category-photography"],"gutentor_comment":2,"featured_image_urls":{"full":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2023\/10\/Magdalena-Pelmus.jpg",2048,1366,false],"thumbnail":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2023\/10\/Magdalena-Pelmus-500x280.jpg",500,280,true],"medium":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2023\/10\/Magdalena-Pelmus-660x365.jpg",660,365,true],"medium_large":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2023\/10\/Magdalena-Pelmus-768x512.jpg",640,427,true],"large":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2023\/10\/Magdalena-Pelmus-840x840.jpg",640,640,true],"1536x1536":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2023\/10\/Magdalena-Pelmus-1536x1025.jpg",1536,1025,true],"2048x2048":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2023\/10\/Magdalena-Pelmus.jpg",2048,1366,false],"covernews-slider-full":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2023\/10\/Magdalena-Pelmus-1115x715.jpg",1115,715,true],"covernews-slider-center":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2023\/10\/Magdalena-Pelmus-800x500.jpg",800,500,true],"covernews-featured":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2023\/10\/Magdalena-Pelmus-1024x683.jpg",1024,683,true],"covernews-medium":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2023\/10\/Magdalena-Pelmus-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/magazinmr.ro\/wp-content\/uploads\/2023\/10\/Magdalena-Pelmus-400x250.jpg",400,250,true]},"author_info":{"display_name":"Stejarel Ionescu","author_link":"https:\/\/magazinmr.ro\/index.php\/author\/stejarel-ionescu\/"},"category_info":"Newsbeat<\/a> Photography<\/a>","tag_info":"Photography","comment_count":"0","_links":{"self":[{"href":"https:\/\/magazinmr.ro\/index.php\/wp-json\/wp\/v2\/posts\/1982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magazinmr.ro\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazinmr.ro\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazinmr.ro\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/magazinmr.ro\/index.php\/wp-json\/wp\/v2\/comments?post=1982"}],"version-history":[{"count":1,"href":"https:\/\/magazinmr.ro\/index.php\/wp-json\/wp\/v2\/posts\/1982\/revisions"}],"predecessor-version":[{"id":1984,"href":"https:\/\/magazinmr.ro\/index.php\/wp-json\/wp\/v2\/posts\/1982\/revisions\/1984"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazinmr.ro\/index.php\/wp-json\/wp\/v2\/media\/1983"}],"wp:attachment":[{"href":"https:\/\/magazinmr.ro\/index.php\/wp-json\/wp\/v2\/media?parent=1982"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazinmr.ro\/index.php\/wp-json\/wp\/v2\/categories?post=1982"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazinmr.ro\/index.php\/wp-json\/wp\/v2\/tags?post=1982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}